Happy first night of Passover, Good Friday, and Ramadan Mubarak to all who celebrate. And a warm welcome as well, of course, to our comrades who do not.

Julio Cortázar is my favorite Spanish-language author, so I'm making today's mega about him. If you'd like to share something random with the class, please feel free to make a mega in the future!

Anyway...

Cortázar is an Argentinian writer, and according to Wikipedia, "He is considered one of the most innovative and original authors of his time, a master of history, poetic prose and short story in general and a creator of important novels that inaugurated a new way of making literature in the Hispanic world by breaking the classical moulds through narratives that escaped temporal linearity."

So that's pretty cool. He was particularly active in the 50s and 60s.

In general, what I really like about Cortázar's writing is the clarity and purposefulness with which he writes. He neither condescends to the reader, nor seems to go out of his way to try and impress. He is certainly clever in his writing and it's by no means simplistic, but it feels like every literary flourish has genuine purpose. And contrary to what my Spanish literature professor said, I maintain that his story about getting trapped in a sweater is simple, funny, and not some bizarre allegory for a penis. Sometimes a sweater is just a sweater. (My professor was sort of obsessed with seeing phallic and/or sexual imagery, motifs, and innuendo in everything we read.)

I think his works sadly lose a lot in translation, as with many Spanish-language authors, particularly from that era. But maybe I'm just a fuckin hipster?

I'm still planning to do a mega on sleep, btw, but it has gotten postponed.

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  • bigbologna [she/her]
    ·
    edit-2
    2 years ago

    Found a movie analysis video that felt pretty coherent, and then out of nowhere the last fifth of the video attempts to absolve all media corporations of only producing lazy nostalgiabait shit because "companies just follow where the money is" and then blame the audience for somehow actively forcing all media to be uncreative and played as safe as possible, it's your fault you didn't like the right kinds of movies now nobody tells original stories anymore

    How do you get so close to a systemic understanding of companies only making what's profitable but then fall back into this individualist vote with your wallet shit :yea:

    • mao_zedonk [he/him]
      ·
      edit-2
      2 years ago

      I mean I think that's generally correct. We decided film should be made for-profit by giant soulless corporations instead of funded publically, so they have little incentive to challenge the viewer. If the populace is dumb and would rather see an origin story miniseries on Nurse Ratchet :so-true: instead of original content that's what they're going to make.

      Scolding film studios for reflecting a dumb, racist, sexist society's entertainment desires feels kind of undertheorized. They're not going to just "make better shit" if they perceive that to be a greater financial risk because their audience are full of Marvel-brained morons who would organize a boycott if the studio made Batman a Vietnamese power bottom.