A slightly different approach this morning. This story raises all sorts of questions about property and the state.
The painting, looted by Nazis from a wealthy Jewish family in 1933, is recovered by the heirs.
There's a lot to unwrap here, my gift to you this morning!
I wonder how many of these were outright collaboration with and providing funds to Nazis. Sure in 1934 you can reasonably say that you didn't know that it could be confiscated property. But if some of the claimed artworks were sold after the Kristallnacht, then excuses would be harder.
NYC was filled with Nazi collaborators between 1933-1938.
John Spivak has some great contemporary research into their networks. Secret Armies is a great read. Chapter VI literally talks about Nazi smuggling in NYC.
This was absolutely the result of collaboration.