Malcolm X, one of the most influential African American leaders of the 20th Century, was born Malcolm Little in Omaha, Nebraska on May 19 Shortly after Malcolm was born the family moved to Lansing, Michigan. Earl Little his father joined Marcus Garvey’s Universal Negro Improvement Association (UNIA) where he publicly advocated black nationalist beliefs, prompting the local white supremacist Black Legion to set fire to their home. Little was killed by a streetcar in 1931. Authorities ruled it a suicide but the family believed he was killed by white supremacists.
Malcolm dropped out of high school after a teacher ridiculed his aspirations to become a lawyer. Malcolm worked odd jobs in Boston and then moved to Harlem in 1943 where he drifted into a life of “hustling.” He avoided the draft in World War II by declaring his intent to organize black soldiers to attack whites which led to his classification as “mentally disqualified for military service.”
Malcolm was arrested for burglary in Boston in 1946 and received a ten year prison sentence. There he joined the Nation of Islam (NOI). Upon his parole in 1952, Malcolm was called to Chicago, Illinois by NOI leader, the Honorable Elijah Muhammad. Like other converts, he changed his surname to “X,” symbolizing, he said, the rejection of “slave names” and his inability to claim his ancestral African name.
Recognizing his promise as a speaker and organizer for the Nation of Islam, Muhammad sent Malcolm to Boston and then in 1954 to Temple Number Seven in Harlem. Although New York’s one million blacks comprised the largest African American urban population in the United States, Malcolm noted that “there weren’t enough Muslims to fill a city bus. “Fishing” in Christian storefront churches and at competing black nationalist meetings, Malcolm built up the membership of Temple Seven. He also met his future wife, Sister Betty X, a nursing student who joined the temple in 1956.
Malcolm X quickly became a national public figure in July 1959 when CBS aired Mike Wallace’s expose on the NOI, “The Hate That Hate Produced.” This documentary revealed the views of the NOI, of which Malcolm was the principal spokesperson and showed those views to be in sharp contrast to those of most well-known African American leaders of the time.
Soon, however, Malcolm was increasingly frustrated by the NOI’s bureaucratic structure and refusal to participate in the Civil Rights Movement. His November 1963 speech in Detroit, “Message to the Grass Roots,” a bold attack on racism and a call for black unity, foreshadowed the split with his spiritual mentor, Elijah Muhammad. However, Malcolm on December 1 was suspended from the NOI for his comments in responce to JFK Death, “chickens coming home to roost” which to Muslims meant that Allah was punishing white America for crimes against black people.
Malcolm used the suspension to announce on March 8, 1964, his break with the NOI and his creation of the Muslim Mosque, Inc. Three months later he formed a strictly political group, called the Organization of Afro American Unity (OAAU) which was roughly patterned after the Organization of African Unity (OAU).
His dramatic political transformation was revealed when he spoke to the Militant Labor Forum of the Socialist Worker’s Party. By April 1964, while speaking at a CORE rally in Cleveland, Ohio, Malcolm gave his famous “The Ballot or the Bullet” speech in which he described black Americans as “victims of democracy.”
Malcolm traveled to Africa and the Middle East in late Spring 1964 and was received like a visiting head of state in many countries including Egypt, Nigeria, Tanzania, Kenya, and Ghana. While there, Malcolm made his hajj to Mecca, Saudi Arabia and added El-Hajj to his official NOI name Malik El-Shabazz.
The transformed Malcolm reiterated these views when he addressed an OAAU rally in New York, declaring for a pan-African struggle “by any means necessary.” Malcolm spent six months in Africa in 1964 in an unsuccessful attempt to get international support for a United Nations investigation of human rights violations of Afro Americans in the United States. Upon his return to New York, his home was firebombed. Events continued to spiral downward and on February 21, 1965, Malcolm X was assassinated at the Audubon Ballroom in the Washington Heights section of Manhattan.
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Malcolm X: Don't Be Fooled By White Liberals Or Uncle Toms {1963
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Malcolm X | City Desk (1963) this one is really good
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The Autobiography of Malcolm X this one is a really good book
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Fidel Castro, Malcolm X And The Gracious Hotel Theresa In Harlem 1960 chad recognizes chad
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Question of the Day
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I think no matter how the dice are thrown the industrial production of instruments will always have a standardizing effect, but the variations on what type of instrument get popular, what designs suit the tuning system that rises to dominance, what sort of cultural image is bestowed upon what kind of instrument/ensemble/etc. would result in an unpredictable chaos where the only reliable patterns are woodwind, percussion, stringed, brass, etc. Also the number of fingers and limbs we have informs what's practical to play lol
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violin and drums are pretty humane designs, one is vocal chords simulator, the other one of heartbeat
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Nah, violin is designed to make strings go loud, it’s design is shaped by human form and acoustics. Like it’s started as a lyra, than you attach shell to make echo. Then you think, hmm what if I make shell differently and then start iterating into acoustics without formulas
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But you’re right I think, violin is violin because it’s started from greek lyra, chinese string instruments have gone from completely different direction, so it’s not like universal truth:)
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Their design is like empty sound box in the bottom of the string like here, instead of behind strings. But I’m now looking through wiki, this looks remarkably similar to violin, Mongolian however.
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Jazz and Blues have such an important basis in the black experience and those influenced Rock - to the point that there is no rock without blues. Hip Hop, similar deal - especially because the blackout in NYC in 1977, plenty of people got to redistribute music production equipment and it finally let the average working black person to get a hold of that stuff. Kind of hard to imagine contemporary music being the same without that initial stain of racialized slavery and subsequent failure of reconstruction.
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Classical is influenced by birds though, so yeah.
Piano is an expansion of harp, flipped horizontally and using hammers so likely
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Different birds sure, but resonances stay the same in vocal folds, so if it tries to produce sound efficiently, it has to be harmonic I think, but not sure here.
Oh, I see.
Some instruments are pretty obvious from first impression. Like, the drums or harp. Or a brass horn (just a tube, not keys necessarily). Stringed instruments like a violin-esque instrument probably would be around, and I could see a guitar like instrument developing from it for strumming and pizzicato pieces.
When we look across societies historical, we know that our octave based tones probably aren't "obvious" given the microtones used in Arabic music or in the Indian subcontinent. If orchestras are inevitable, and I think they would be, then some way of keeping time is necessary and so something like time signatures would come about out of necessity. They may not be written out in a quarter note basis or anything like that but something would be like it.
Leonard Bernstein had a good quick 5 min overview you might be interested in. Some parts of musicality seem to be built in to humanity, we all apparently like fifths and the pentatonic scale (on that note Bobby McPherin has done this around the world and got the same result where he sounds out two notes with the audience and then takes an unexpected jump but the audience all agrees what the next note is).
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