:ira:

    • AcidSmiley [she/her]
      ·
      2 years ago

      I don't think i've seen anything made after the end of the cold war that is this brutally honest about the need for violence to stop fascism / imperialism, and which sacrifices that violence entails. The people who make this clearly know that "every revolutionary is, first and foremost, a doomed man" and that this doesn't detract from how needed, justified and righteous their cause is at all.

      Compare that with tepid liberal ideology of The Last Jedi, were the "Rebels" care about nothing but running away because they "need to survive to inspire people".

      • UlyssesT
        ·
        edit-2
        3 months ago

        deleted by creator

        • zifnab25 [he/him, any]
          ·
          edit-2
          2 years ago

          Of the three sequels, it was the best. The screenplay, the cinematography, the acting, all of it.

          But low bar is low.

              • FourteenEyes [he/him]
                ·
                2 years ago

                No, it was inferior to Force Awakens because TFA is at least a coherent and consistent (if incredibly lazy) story, whereas TLJ is so riddled with plot holes it falls apart under any amount of scrutiny. Also, it's thematically inconsistent to the point that it doesn't even know what it wants to say. It violates basic principles of conventional screenwriting by throwing away everything the plot had set up within the film itself. It shows characters immediately violating the moral they just tried to establish. It's a mess.

                • zifnab25 [he/him, any]
                  ·
                  2 years ago

                  TFA is at least a coherent and consistent (if incredibly lazy) story

                  It was a muddled rehash of New Hope that only looked coherent because you could so easily map it onto the original.

                  After that, half the movie was references to content that was never actually released. Just a pile of allusions and asides to material left on the cutting room floor.

                  TLJ is so riddled with plot holes it falls apart under any amount of scrutiny. Also, it’s thematically inconsistent to the point that it doesn’t even know what it wants to say

                  Without a doubt. It was, at best, half of a good movie. And even then it was a collage of scenes that - individually - could be cool but together left a lot to be desired.

                  But they still did have individual good scenes at a frequency higher than TFA. Also, they had the thing that they promised: The Last Jedi. Whereas TFA did not have anything that might resemble any kind of Force doing any awakening.

      • star_wraith [he/him]
        ·
        2 years ago

        Refreshing when so many Trek episodes of TNG and DS9 revolve (even though I still love then) around how something unethical or violent needs to be done for the greater good and Picard or Sisko refuse because that would be "wrong" (with a notable exception for Sisko in In the Pale Moonlight, but even then he doesn't really believe he can live with it).

        • Tankiedesantski [he/him]
          ·
          2 years ago

          Star Trek is fundamentally different because it's a utopian vision of what could be after the revolution is won. One of the core messages of Star Trek is that if we improve ourselves and hold humanity to a higher standard, we won't have to keep choosing between doing the right thing and the greater good.

          • CarmineCatboy [he/him]
            ·
            2 years ago

            I would also argue that Sisko's pragmatism isn't confied to In the Pale Moonlight. He's still an idealistic starfleet captain living in the same post revolutionary Utopia as all the others. But his dealings with the Maquis and the way he trusts Odo and the others to skirt the rules in DS9 show that he's not up his own ass. His personality is of a no nonsense commander rather than Picard's learned diplomat. He was closest to a non utopic civilization than any officer in the federation.

    • knifestealingcrow [any]
      ·
      2 years ago

      I've literally only seen the original trilogy and rogue one, so I'm probably missing references and context and Andor still fuckin slaps. I wanna read Nemiks manifesto so bad

    • UlyssesT
      ·
      edit-2
      3 months ago

      deleted by creator

    • zifnab25 [he/him, any]
      ·
      2 years ago

      Crazy how many times reactionaries will say they hate the government and love guns, liberty, whatever. But then you show them a video of a group of locals in open rebellion and suddenly they're so upset about it.

      Maybe if the funeral had involved a few flat bed trucks with big flags on them...

  • AcidSmiley [she/her]
    ·
    2 years ago

    I cried all the way through that scene. Granted, i just had put on the estradiole gel before that and it had been a rough day, so i may have been a tiny bit emo, but damn did that feel cathartic.

  • doesntmatter [none/use name]
    ·
    2 years ago

    I got the same revolutionary energy vibe from the Snowpiercer TV series. Leftist Glup Shitto shows and Korean-based movie-to-series adaptations will be the only series allowed after the revolution

    • LaGG_3 [he/him, comrade/them]
      ·
      2 years ago

      Was the Snowpiercer show good? I feel like I remember hearing that it was copaganda when it came out, but I might be mixing it up with the Watchmen sequel show.

      • doesntmatter [none/use name]
        ·
        edit-2
        2 years ago

        not copaganda unless you count the main character being a detective as his backstory. i've seen people call Disco Elysium copaganda because of that

  • Vncredleader
    ·
    2 years ago

    I legit predicted this when ep 11 set up the funeral. I was going off to my friends about various IRA funerals.