Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, hunt Dracula and, in the end, kill him.

Dracula was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name Dracula in Whitby's public library while holidaying there, picking it because he thought it meant devil in Romanian.

Following its publication, Dracula was positively received by reviewers who pointed to its effective use of horror. In contrast, reviewers who wrote negatively of the novel regarded it as excessively frightening. Comparisons to other works of Gothic fiction were common, including its structural similarity to Wilkie Collins' The Woman in White (1859). In the past century, Dracula has been situated as a piece of Gothic fiction. Modern scholars explore the novel within its historical context—the Victorian era—and discuss its depiction of gender roles, sexuality, and race.

Dracula is one of the most famous pieces of English literature. Many of the book's characters have entered popular culture as archetypal versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic vampire hunter. The novel, which is in the public domain, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.

Legacy

Dracula was not the first piece of literature to depict vampires, but the novel has nonetheless come to dominate both popular and scholarly treatments of vampire fiction. Count Dracula is the first character to come to mind when people discuss vampires. Dracula's succeeded by drawing together folklore, legend, vampire fiction and the conventions of the Gothic novel. Wendy Doniger described the novel as vampire literature's "centrepiece, rendering all other vampires BS or AS". It profoundly shaped the popular understanding of how vampires function, including their strengths, weaknesses, and other characteristics. Bats had been associated with vampires before Dracula as a result of the vampire bat's existence—for example, Varney the Vampire (1847) included an image of a bat on its cover illustration. But Stoker deepened the association by making Dracula able to transform into one. That was, in turn, quickly taken up by film studios looking for opportunities to use special effects. Patrick McGrath notes that many of the Count's characteristics have been adopted by artists succeeding Stoker in depicting vampires, turning those fixtures into clichés. Aside from the Count's ability to transform, McGrath specifically highlights his hatred of garlic, sunlight, and crucifixes. William Hughes writes critically of the Count's cultural omnipresence, noting that the character of Dracula has "seriously inhibited" discussions of the undead in Gothic fiction.

Adaptations of the novel and its characters have contributed to its enduring popularity. Even within academic discussions, the boundaries between Stoker's novel and the character's adaptation across a range of media have effectively been blurred.[148] Dacre Stoker suggests that Stoker's failure to comply with United States copyright law contributed to its enduring status, writing that writers and producers did not need to pay a licence fee to use the character.

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